Dystopian for the MAGA crowd, including the one at the top: Here's Subterranean Impeachment Blues

-


Subterranean Impeachment Blues

Donnie’s in his bedroom, looking for some head room,
There’s homeless on the pavement thinkin’ ‘bout the government
President gloats about next year’s votes
He’s taking frantic notes, can he nail Dan Coats?
Muttering about Sleepy Joe Biden
Gaffe prone, all alone, what’s he hidin’?
No norms, no forms, Trump follows no laws
What he does is free of flaws.

Let him explain to the president of Ukraine
See if he can help with the next campaign
Get loose, got the juice, tweet about fake news
Don’t need a guitar to make up some new blues.
Look out Trump, your polling’s in a slump
God knows when, but you’re doing it again.

Oh, get sick, get well, does impeachment ring a bell?
Keep your base in place, hope the Wall is gonna sell.
Get Barr, go far, set sail, don’t fail
E-mails, Dem wails,
Adam Schiff is on your tail.

Look out Trump, you’re gonna get dumped
By losers, voters, Constitution users
Personnel pools have run out of fools
GOP leaders watch the tea-leaf readers.



What seems to be real is just what you suppose
When you’re the emperor who loves his new clothes
Piece of toilet paper sticking to your sole.
Your art of the deal just fell down a hole.
You can’t firehose what nature grows
You’re led by the nose in reality shows,
Don’t need a whistleblower to know which way the wind blows

Look out Trump, you heading for a slump
Asking for a friend, could this be the end?

Comments

Post a Comment

Popular posts from this blog

Actors Theatre Indiana romps through a farce — unusually, without a founder in the cast

-
Image
"Don't you love farce?" runs a memorable rhetorical question in Stephen Sondheim's "Send In the Clowns." There's lots to watch on the screen for characters in "Unnecessary Farce." Desiree's bitter song points to the conditions that underlie farce: Misunderstandings, false assumptions, confused or deceptive identities, upsets, personal disasters. None of that is any fun when you're  living it. If relatively minor, the conditions of farce may seem risible shortly after the dust has settled. If more serious, they will be permanently unsettling. As a literary or dramatic genre, however, most people do indeed love farce. But, frankly, the whole bag may seem unnecessary —  and not just as part of the pun in the last line of Paul Slade Smith's "Unnecessary Farce."  Actors Theatre Indiana opened the show Wednesday night in the Studio Theater at the Center for the Performing Arts . The premise is a police sting operatio
Read more

DK's 'Divas A-New': What's past is prologue (so is what's present)

-
Image
  Ensemble exuberance in "Stories from the Corner Bar" Joshua Blake Carter's curtain speech gave Dance Kaleidoscope 's opening-night audience Thursday a concise, graceful indication of how the transition from his illustrious predecessor as artistic director, David Hochoy, is settling in. Before "Divas A-New" took the stage, the audience at Schrott Center for the Arts (a new venue for the company) got brief exposure to DK's educational wing as two student troupes performed. That was a charming showcase for what's been possible since DK moved into a new permanent rehearsal and educational home in 2020. The solidity of the professional company no longer had to pose questions as to whether its growing profile was anything more than a castle in the air.  Setting aside what the hyphen in the program title must mean (since "anew" would seem to convey the idea), it's clear the "divas" idea builds upon the popular focus in earlier pr
Read more

Seasonings of love: Indy Bard Fest's 'Angels in America' wrestles well with soaring and falling

-
Image
Desperate Prior Walter casts eyes heavenward.  Indy Bard Fest has an ambitious production in "Angels in America," a two-part play by Tony Kushner that has become representative of the fight for sexual identity and respect amid the horrors of the AIDS epidemic. It is a big, baggy monster, and it's fortunate that Indy Bard Fest is up to the task of representing it with the technical and performing elements thoroughly meshed to excellent effect. At Butler University's Schrott Center for the Arts , the audience gets to be drawn in separately, its endurance tested, with the first part roughly in alternation with the second. "Millennium Approaches" is recommended for a full understanding of "Perestroika," and so performances continue through July 1. Kushner stuffs so much into this seven-hour theatrical triumph that he blends two types of focus: analysis and advocacy. The mid-1980s firmly anchors the time and setting of "Angels," and the playw
Read more