With astute colleagues Ben Street, bass, and Eric Harland, drums, the saxophonist ranges over a stimulating set of original compositions, each of them showing how expansive three musicians without the bedrock of a harmony instrument can be.
|Dayna Stephens: Exploring wry eddies off the mainstream|
Stephens' sure-footed phrasing, sometimes surprising in its odd balances, inevitably makes sense once the listener gets the feel of the contexts the trio is laying out. There are varied rhythmic patterns that manage to cohere in the cartoonishly titled "Kwooked Stweet," a contrafact on John Coltrane's "Straight Street."
With affectionate parody, in "Loosy Goosy" Stephens the composer sometimes toys with the 32-bar convention of American popular song. More common is for him to lead his trio in forms more personal and harder to pin down.
An example is "The Sound Goddess," which sounds like an essay masquerading as a narrative. Long saxophone phrases dominate the performance, yet Street and Harland always sound as if there's room for them in the foreground, too.
"Wil's Way" ends the infectious program (don't be spooked by the label name!) with a perky tribute to a friend of the bandleader. The account features a particularly witty Street solo, followed by fruitful exchanges between the ever-imaginative drummer and his bandmates.
The Dayna Stephens Trio indeed seems at liberty to do just about anything it wants, and bring it off. In this time of confinement, that's something to celebrate.