An update of "The Times They Are A-Changing" to help us get through the rest of the 2016 campaign

-
The Campaign Soon Will Be Ending Come gather, good citizens, and rest from the fray, The election will happen four weeks from today, We’ll cry “Let us vote!” and then “let us pray”: We’re well past the point of offending, So the most welcome word is for this song to say: The campaign soon will be ending! We’ve put up with this nonsense since early ‘15 The surge of each candidate – what did it mean? They made their crude pitches and littered the scene With Facebook rants, ads, and tweets trending: Now just two are still upright, but one is obscene: The campaign soon will be ending! The movement for Bernie was more than a cult Though it sometimes resembled one, stirring tumult Provoked by Debbie Wasserman Schultz; Party fabric sure needed some mending: Still, Dem voters may split off or stay home and sulk — The campaign soon will be ending! The Republican crowd made many jaws clench: Shallow on the field, not too deep on the bench: Their ideas were merde (pardon my French!) Their credentials were full of pretending: Now the ticket top stinks, they can’t wave off the stench: The campaign soon will be ending! “The line it is drawn, the curse it is cast”: Captain Ahab has nailed the doubloon to the mast The White Whale of Destruction blows cold from the past, While the future toward justice is bending: Does it mean this election could well be our last? The campaign soon will be ending!

Comments

Post a Comment

Popular posts from this blog

Actors Theatre Indiana romps through a farce — unusually, without a founder in the cast

-
Image
"Don't you love farce?" runs a memorable rhetorical question in Stephen Sondheim's "Send In the Clowns." There's lots to watch on the screen for characters in "Unnecessary Farce." Desiree's bitter song points to the conditions that underlie farce: Misunderstandings, false assumptions, confused or deceptive identities, upsets, personal disasters. None of that is any fun when you're  living it. If relatively minor, the conditions of farce may seem risible shortly after the dust has settled. If more serious, they will be permanently unsettling. As a literary or dramatic genre, however, most people do indeed love farce. But, frankly, the whole bag may seem unnecessary —  and not just as part of the pun in the last line of Paul Slade Smith's "Unnecessary Farce."  Actors Theatre Indiana opened the show Wednesday night in the Studio Theater at the Center for the Performing Arts . The premise is a police sting operatio
Read more

Indianapolis Opera presents 'A Little Night Music,' a sexy comedy of Scandinavian manners

-
Image
"Send In the Clowns" is a rarity among modern musical-theater hits in being selectively lifted from the show by singers who simply want to do it, even though Stephen Sondheim's most popular song is thoroughly nestled in, and essential to, "A Little Night Music." A production of the sometimes blithe, sometimes sentimental operetta by Indianapolis Opera runs through today at the Toby at Newfields . Predictably, "Send In the Clowns" went over superbly as delivered by the aging actress Desiree Armfeldt in the second act. The song can best be understood in context, despite the way it has been put across by everyone from Frank Sinatra to Renata Scotto. Desiree and Frederik refresh their bond.  Here it was beautifully set up by the orchestra, under the sensitive direction of Alfred Savia, and performed within an aura of Desiree's cherished memories and indelible regret by Heather Hertling Narducci. In the reprise, she was joined by Daniel Narducci (her hu
Read more

DK's 'Divas A-New': What's past is prologue (so is what's present)

-
Image
  Ensemble exuberance in "Stories from the Corner Bar" Joshua Blake Carter's curtain speech gave Dance Kaleidoscope 's opening-night audience Thursday a concise, graceful indication of how the transition from his illustrious predecessor as artistic director, David Hochoy, is settling in. Before "Divas A-New" took the stage, the audience at Schrott Center for the Arts (a new venue for the company) got brief exposure to DK's educational wing as two student troupes performed. That was a charming showcase for what's been possible since DK moved into a new permanent rehearsal and educational home in 2020. The solidity of the professional company no longer had to pose questions as to whether its growing profile was anything more than a castle in the air.  Setting aside what the hyphen in the program title must mean (since "anew" would seem to convey the idea), it's clear the "divas" idea builds upon the popular focus in earlier pr
Read more