Bob Dylan said a mouthful in 'Subterraean Homesick Blues"; here's a mouthful of Covid-19 stuff: 'Subterranean Homeland Blues'

-

Surterranean Homeland Blues

Tony’s in the basement
Mixing up the medicine
Donald’s tweets won’t relent
Bragging about the government
Doctor in a white coat
License out, laid off
Said he’s got a bad cough
All his chips are played off

Look out for Covid
You gotta stay hid
No one knows when
You can come out again
Keep at least six feet away
Don’t look for a new friend
Reopen protester among armed men
Wants 11 explanations, you only got ten.

Pence comes blank-faced
Always close to Trump placed
Giving the boss praise
Presidential hopes raised
Trump says that many say
Must resume by end of May
Keep America great, hey!

But look out, kid
Don’t matter what you did
Try to blame the Fake News
Why lead? Just refuse
Can’t be a shipping clerk
Got duties?  Try to shirk
Stand still, don’t twerk
Stay aloof, that’ll work.
You don’t need the media
To know which way the wind blows.

Ah, get sick, get well
Little tracing, hard to tell
What policy will sell.
Lie hard, truth barred
Many ventilators fail
Governors turn pale
Time to bail, let ‘em wail
Look out for Covid, it wants to get rid
Of insiders, outsiders, health-care providers
Don’t worry ‘bout the gene pool
Many more folks to fool
Keep the same leaders
In virtual theaters.

Ah, get born, keep warm
Is that a fever or romance
Learn to dance, get fixed in politics
All the messages are mixed
Please Trump, please Pence, they’re adrift
Can’t heal, try to shift
Three years in the White House
Feeling slighted, he’s miffed
Look out till we’re rid of the evil Covid
Better jump down a manhole
Of isolation lighting candles
Chill in pajamas, wear old sandals
Can’t keep up with all the scandals
Public health don’t work
Cause the vandals took the handles

Comments

Post a Comment

Popular posts from this blog

Actors Theatre Indiana romps through a farce — unusually, without a founder in the cast

-
Image
"Don't you love farce?" runs a memorable rhetorical question in Stephen Sondheim's "Send In the Clowns." There's lots to watch on the screen for characters in "Unnecessary Farce." Desiree's bitter song points to the conditions that underlie farce: Misunderstandings, false assumptions, confused or deceptive identities, upsets, personal disasters. None of that is any fun when you're  living it. If relatively minor, the conditions of farce may seem risible shortly after the dust has settled. If more serious, they will be permanently unsettling. As a literary or dramatic genre, however, most people do indeed love farce. But, frankly, the whole bag may seem unnecessary —  and not just as part of the pun in the last line of Paul Slade Smith's "Unnecessary Farce."  Actors Theatre Indiana opened the show Wednesday night in the Studio Theater at the Center for the Performing Arts . The premise is a police sting operatio...
Read more

Indianapolis Opera presents 'A Little Night Music,' a sexy comedy of Scandinavian manners

-
Image
"Send In the Clowns" is a rarity among modern musical-theater hits in being selectively lifted from the show by singers who simply want to do it, even though Stephen Sondheim's most popular song is thoroughly nestled in, and essential to, "A Little Night Music." A production of the sometimes blithe, sometimes sentimental operetta by Indianapolis Opera runs through today at the Toby at Newfields . Predictably, "Send In the Clowns" went over superbly as delivered by the aging actress Desiree Armfeldt in the second act. The song can best be understood in context, despite the way it has been put across by everyone from Frank Sinatra to Renata Scotto. Desiree and Frederik refresh their bond.  Here it was beautifully set up by the orchestra, under the sensitive direction of Alfred Savia, and performed within an aura of Desiree's cherished memories and indelible regret by Heather Hertling Narducci. In the reprise, she was joined by Daniel Narducci (her hu...
Read more

DK's 'Divas A-New': What's past is prologue (so is what's present)

-
Image
  Ensemble exuberance in "Stories from the Corner Bar" Joshua Blake Carter's curtain speech gave Dance Kaleidoscope 's opening-night audience Thursday a concise, graceful indication of how the transition from his illustrious predecessor as artistic director, David Hochoy, is settling in. Before "Divas A-New" took the stage, the audience at Schrott Center for the Arts (a new venue for the company) got brief exposure to DK's educational wing as two student troupes performed. That was a charming showcase for what's been possible since DK moved into a new permanent rehearsal and educational home in 2020. The solidity of the professional company no longer had to pose questions as to whether its growing profile was anything more than a castle in the air.  Setting aside what the hyphen in the program title must mean (since "anew" would seem to convey the idea), it's clear the "divas" idea builds upon the popular focus in earlier pr...
Read more