"Who's Sorry Now?": With apologies to the shade of Connie Francis, here's my response to Donald Trump's difficulty with apologies

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Indianapolis Opera presents 'A Little Night Music,' a sexy comedy of Scandinavian manners

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"Send In the Clowns" is a rarity among modern musical-theater hits in being selectively lifted from the show by singers who simply want to do it, even though Stephen Sondheim's most popular song is thoroughly nestled in, and essential to, "A Little Night Music." A production of the sometimes blithe, sometimes sentimental operetta by Indianapolis Opera runs through today at the Toby at Newfields . Predictably, "Send In the Clowns" went over superbly as delivered by the aging actress Desiree Armfeldt in the second act. The song can best be understood in context, despite the way it has been put across by everyone from Frank Sinatra to Renata Scotto. Desiree and Frederik refresh their bond.  Here it was beautifully set up by the orchestra, under the sensitive direction of Alfred Savia, and performed within an aura of Desiree's cherished memories and indelible regret by Heather Hertling Narducci. In the reprise, she was joined by Daniel Narducci (her hu...
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Actors Theatre Indiana romps through a farce — unusually, without a founder in the cast

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"Don't you love farce?" runs a memorable rhetorical question in Stephen Sondheim's "Send In the Clowns." There's lots to watch on the screen for characters in "Unnecessary Farce." Desiree's bitter song points to the conditions that underlie farce: Misunderstandings, false assumptions, confused or deceptive identities, upsets, personal disasters. None of that is any fun when you're  living it. If relatively minor, the conditions of farce may seem risible shortly after the dust has settled. If more serious, they will be permanently unsettling. As a literary or dramatic genre, however, most people do indeed love farce. But, frankly, the whole bag may seem unnecessary —  and not just as part of the pun in the last line of Paul Slade Smith's "Unnecessary Farce."  Actors Theatre Indiana opened the show Wednesday night in the Studio Theater at the Center for the Performing Arts . The premise is a police sting operatio...
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Going down to St. James Infirmary: Mourning as self-assertion

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Spent a lovely evening at the Jazz Kitchen as the Tuesday night shrimp boil resumed its place on the schedule. A neo-trad band dubbed the Red Hot Whiskey Sippers provided the music, and I enjoyed sinking into the environment of "St. James Infirmary Blues" in particular. For bands that feel comfortable accessing this music, the song invites adherence to Lester Young's advice to soloists: "Tell me a story." That's what trombonist Rich Dole and guitarist Bill Lancton did especially well in their solos. The melody seems to imply a narrative, though the story the words tell (some singers still do the piece, but not on this occasion) is oblique and somewhat mysterious. Another odd thing is that while the tune is blues-saturated, it's not really a blues at all. It's in four-line stanzas in the shape of a ballad, so it seems to call up its own world, through which runs a narrative thread. The version that brought the song its popularity was recorded ...
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