Werewolves of Washington assert their privilege howling about Brett Kavanaugh

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The Indianapolis Jazz Collective pays sizzling tribute to the master drummer/bandleader Art Blakey

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Art Blakey said many good things, but among them was not "Music washes away the dust of everyday life." Yet a concert in centennial tribute to the drummer-bandleader Friday night at the Jazz Kitchen accomplished The Indianapolis Jazz Collective played an Art Blakey tribute show to a packed house. such a cleansing for me and the capacity audience, swelled by supporters of the sponsoring Indianapolis Jazz Foundation. The misattribution of the original thought of Berthold Auerbach, a 19th-century German writer, sometimes sticks "from the soul" in the middle of that quotation, as usually translated. Blakey would have endorsed the complete version, too, and the band led by Rob Dixon put substance behind it in a generously proportioned first set. (The Auerbach quote has great legs, having been attributed to Pablo Picasso as well — and even, thanks to appropriation of the writer's last name, to the immortal Boston Celtics coach Red Auerbach. Can't you jus
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Augusta Read Thomas: A rare focus on a living composer's new music highlights this season

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Twice this season the composer Augusta Read Thomas has come down from Chicago to hear new Two major works by Augusta Read Thomas have been heard this season here. works performed at Hilbert Circle Theatre.  This weekend it's the turn of "Toward a Secret Sky," a cantata commissioned by the Indianapolis Symphonic Choir, which is giving the premiere in two performances, along with the Indianapolis Symphony Orchestra . The second is at 5:30 p.m. today. The ISO in February gave the local premiere of her piece titled "Sun Dance," co-commissioned with other orchestras. Indianapolis audiences have thus had ample opportunity to become familiar with Thomas' bright, detailed, sometimes ecstatic manner of composition for large forces. In "Toward a Secret Sky," using texts from the medieval Sufi poet Rumi, Thomas has come up with musical settings, in nine movements without interruption, that strive to capture a spirituality reassuring everyone of its permanent,
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Seasonings of love: Indy Bard Fest's 'Angels in America' wrestles well with soaring and falling

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Desperate Prior Walter casts eyes heavenward.  Indy Bard Fest has an ambitious production in "Angels in America," a two-part play by Tony Kushner that has become representative of the fight for sexual identity and respect amid the horrors of the AIDS epidemic. It is a big, baggy monster, and it's fortunate that Indy Bard Fest is up to the task of representing it with the technical and performing elements thoroughly meshed to excellent effect. At Butler University's Schrott Center for the Arts , the audience gets to be drawn in separately, its endurance tested, with the first part roughly in alternation with the second. "Millennium Approaches" is recommended for a full understanding of "Perestroika," and so performances continue through July 1. Kushner stuffs so much into this seven-hour theatrical triumph that he blends two types of focus: analysis and advocacy. The mid-1980s firmly anchors the time and setting of "Angels," and the playw
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